LIVIT A–Z Jewelry Glossary
The Language of Jewelry
Jewelry comes with its own precise vocabulary—from gemstone cuts and metal alloys to setting styles and production techniques. Using clear and consistent terminology helps customers feel confident, understand what they are purchasing, and compare designs more easily across collections and brands.
Why Consistent Terms Matter
For professionals, shared language reduces confusion and strengthens trust. It also supports the creation of content that is accurate, concise, and aligned with industry standards. Hence, with this in mind, we developed the
LIVIT A–Z Jewelry GlossaryLIVIT A–Z Jewelry Glossary The Language of Jewelry Jewelry comes with its own precise vocabulary—from gemstone cuts and metal alloys to setting styles and production techniques. Using clear and consistent terminology helps customers feel confident, understand what they are purchasing, and compare designs more easily across collections and brands. Why Consistent Terms Matter For professionals, shared language reduces confusion and strengthens trust. It also supports the creation of content that is accurate, concise, and aligned with industry standards. Hence, with this in mind, we developed the LIVIT A–Z Jewelry Glossary: a comprehensive reference featuring around 1,000 carefully selected terms, phrases, and definitions that span the full world of jewelry. A Tool for Every Level of Expertise Whether someone is discovering jewelry for the first time or refining advanced knowledge, this glossary offers a reliable guide. Help every reader to “speak jewelry” with clarity, precision, and confidence. [docxpresso file="https://www.spanish-jewelry.com/blog/wp-content/uploads/2026/02/Glossary-2.ods" comments="true"] Speak Jewelry in a Simple, Professional Way The comprehensive reference jewelry glossary contains around 1000 jewelry terms, definitions, and industry phrases. While it helps customers to understand products more clearly, it also supports teams in writing precise, consistent content. From classic gemstones and metal types to modern setting styles and production techniques, the glossary is designed to help everyone “speak jewelry” in a simple, professional way.: a comprehensive reference featuring around 1,000 carefully selected terms, phrases, and definitions that span the full world of jewelry.
A Tool for Every Level of Expertise
Whether someone is discovering jewelry for the first time or refining advanced knowledge, this glossary offers a reliable guide. Help every reader to “speak jewelry” with clarity, precision, and confidence.
Definition | Explanation | Use / Purpose | Common Materials | |
A | ||||
Abalone | Iridescent shell from sea mollusks used as an inlay or gem. | |||
Abraded Culet | Culet of a gemstone that has been worn or lightly damaged. | |||
Abrasion | Small surface wear or scratches on a gemstone’s facet edges. | |||
Abrasive wheel | Rotating wheel with abrasive surface | |||
Accent | Small secondary stones that complement the main stone. | |||
Acid dip | Chemical bath to clean metal | |||
Acid‑etched finish | Surface created by acid etching | |||
Adjustable chain | Chain with sliding mechanism | |||
Adjustable shank | Ring shank that can expand | |||
Agate | Variegated chalcedony with banded or patterned appearance. | |||
Agate cameo | Cameo carved from agate layers | |||
Aglet | Metal tip used on cords | |||
Aigrette | Ornament resembling feathers, often worn in the hair or on a tiara. | |||
Air chasing | Hammering technique using air tools | |||
Air scribe | Pneumatic engraving tool | |||
Alexandrite | Color‑changing variety of chrysoberyl. | |||
Alloy | Mixture of two or more metals to improve hardness, color, or durability | |||
Alloy sheet | Flat sheet of alloyed metal | |||
Alloying | Combining metals to create alloys | |||
Alpha clasp | Secure clasp mechanism | |||
Aluminum | Lightweight, silvery‑white base metal. | |||
Amalgam | Mixture of mercury with another metal | |||
Amazonite | Green to blue‑green variety of microcline feldspar. | |||
Amber | Fossilized tree resin, often golden or honey colored. | |||
Amethyst | Purple variety of quartz. | |||
Amulet | Object worn as a charm for protection or good luck. | |||
Anchor bracelet | A bracelet featuring a maritime anchor as the central clasp or ornament. | Symbolizes stability, hope, or a love for the sea. | Paracord, leather, bronze, stainless steel. | |
Angel wing bracelet | A bracelet featuring a wing motif or charm. | Symbol of protection, spirituality, or remembrance. | Silver, gold, zircon crystals. | |
Anneal | Heating metal and allowing it to cool slowly to soften and relieve stress. | |||
Annealing | Heating metal and cooling slowly to soften it | |||
Anniversary Band | Ring, often set with stones, given to mark a marriage anniversary. | |||
Anodized | Metal surface treated electrically to form a colored oxide layer. | |||
Anodizing | Electrochemical coloring of metals | |||
Antique | Jewelry typically at least 100 years old. | |||
Antique finish | Darkened surface finish | |||
Antiquing | Darkening recesses of metal to create an aged look. | |||
Antwerp | Major diamond trading and cutting center in Belgium. | |||
Appliqué | Adding decorative metal pieces | |||
Appraisal | Professional evaluation of jewelry’s quality and monetary value. | |||
Apron | Protective garment for jewelers | |||
Aquamarine | Blue to blue‑green variety of beryl. | |||
Arabesque | Ornamental pattern of flowing, interlaced lines, often floral. | |||
Arbor | Shaft that holds polishing wheels | |||
Argentium silver | Tarnish-resistant silver alloy | |||
Armlet | A band or bracelet worn around the upper arm (bicep) for decoration | |||
Art Deco | Geometric, stylized design style popular from the 1920s–1930s. | Influences ring, bracelet, and brooch designs with bold symmetry. | ||
Art Nouveau | Curvilinear, nature‑inspired style from about 1890–1910. | |||
Articulated | Constructed with joints so parts can move independently. | |||
Articulated links | Hinged jewelry links | |||
Articulated pendant | Pendant with moving parts | |||
Arts and Crafts | Handmade, craft‑focused jewelry movement c. 1880–1920. | |||
Assay | Testing metal to determine its precious metal content – Purity. | |||
Asscher Cut | Square step‑cut diamond with cropped corners and deep pavilion. | |||
Assortment | Group of stones sorted by size or color | |||
Aurora Borealis | Iridescent coating on crystals to create rainbow reflections. | |||
Aventurine | Quartz with shimmering inclusions | |||
Awl | Pointed tool for marking | |||
B | ||||
Backplate | Metal plate behind a design | |||
Baguette Cut | Rectangular step‑cut stone with straight sides. | |||
Bail | A loop or connector that attaches a pendant to a chain | |||
Bakelite | Early synthetic plastic used for jewelry since early 1900s. | |||
Ball bur | A spherical cutting tool used in stone setting | |||
Ball chain | Chain made of small metal balls (ball pearls) | |||
Bandeau | Narrow band worn around the forehead as a head ornament. | |||
Banding | Layered color pattern in stones | |||
Bangle | Rigid, usually circular bracelet slipped over the hand or hinged. | |||
Bar clasp | A clasp with a bar that slides into a tube | |||
Barbara Curb chain | A specific type of heavy, often intricately linked decorative chain. | High-end statement piece or luxury accessory. | Solid gold, sterling silver. | |
Baroque | Irregular, ornate style or irregularly shaped gem or pearl. | |||
Baroque pearl | Irregularly shaped pearl | |||
Barrel clasp | Cylindrical clasp that screws together | |||
Barrel polishing | Tumbling jewelry with media to polish | |||
Base metal | Non‑precious metal used as a core | |||
Base Metals / Jewelry | Common metals like copper, zinc, nickel. | Less valuable and prone to oxidation. | Used for plated or fashion jewelry bases. | |
Basket mounting | Open metal framework for stones | |||
Basket setting | Open framework setting for gemstones | |||
Basse-taille | Enameling technique over low-relief metal engraving. | |||
Bead cap | Decorative cap placed on beads | |||
Bead reamer | Tool for enlarging bead holes | |||
Bead setting | Setting style using tiny beads of metal | |||
Bead wire | Wire with a beaded texture | |||
Beading tool | Tool used to form beads in bead setting | |||
Bearding | Tiny hairline fractures around a diamond’s girdle from bruting. | |||
Belle Epoque | Elegant jewelry style c. 1890–1915 with light, lacy designs. | |||
Bench block | Solid metal block for hammering | |||
Bench grinder | Motorized grinding tool | |||
Bench light | Adjustable lamp for jewelers | |||
Bench mat | Protective mat on jeweler’s bench | |||
Bench pin | Wooden support attached to jeweler’s bench | |||
Bench vise | Clamp used to hold jewelry pieces | |||
Berlin Iron | Cast iron jewelry, often black, from early 19th-century Prussia. | |||
Beryl | Mineral family that includes emerald and aquamarine. | |||
Bezel | Metal rim that encircles and secures a stone. | |||
Bezel pusher | Tool used to push bezel walls over stones | |||
Bezel roller | Tool for tightening bezels | |||
Bib Necklace | Wide front‑covering necklace | Statement fashion | Metal, beads | |
Bijouterie | Fine jewelry of small, delicate pieces. | |||
Biker bracelet | Heavy, rugged jewelry often featuring industrial or gothic motifs. | Symbol of subculture identity and "tough" aesthetic. | Stainless steel, thick leather, silver, pewter. | |
Bimetal | Sheet composed of two fused metals | |||
Binding wire | Wire used to hold pieces during soldering | |||
Birthstone | Gemstone traditionally associated with a specific birth month. | |||
Biwa Pearl | Cultured freshwater pearl originally from Lake Biwa in Japan. | |||
Black Antique | Darkened finish applied to recesses to emphasize detail. | |||
Black onyx | Solid black chalcedony | |||
Black rhodium | Dark rhodium plating | |||
Black Star of Queensland | Famous large black star sapphire from Australia. | |||
Blackening | Chemical darkening of metal | |||
Blade clasp | Flat clasp mechanism | |||
Blemish | Surface mark or irregularity on a gemstone. | |||
Bling | Slang for flashy, eye-catching jewelry. | |||
Blister Pearl | Pearl formed attached to the inside of a shell. | |||
Bloom finish | Porous matte gold surface | |||
Blooming | Chemical treatment to whiten gold | |||
Blue diamond | Diamond with natural or treated blue color | |||
Blue Topaz | Topaz gemstone in light to deep blue shades. | |||
Blueing | Heating steel to create blue color | |||
Bog Oak | Ancient oak wood preserved in peat bogs, dark in color. | |||
Boho Jewelry | Natural, eclectic style | Casual fashion | Leather, beads | |
Boho Style | Inspired by bohemian culture | Casual artistic looks | Natural materials | |
Bolo clasp | Adjustable sliding clasp | |||
Bolt ring | Circular spring-loaded clasp with a small trigger. | |||
Bonding | Joining materials with adhesive | |||
Book Chain | Victorian-era chain with flat, rectangular links like book pages. | |||
Borax | Flux substance used during soldering of metals. | |||
Borax cone | Borax used for flux preparation | |||
Box Chain | Chain made of square links | Gold, silver | ||
Box clasp | Clasp with a tongue that locks into a box | |||
Box Setting | Setting where a stone is held in a small, box-like metal frame. | |||
Bracelet | Jewelry worn around the wrist. | |||
Braided | Design made of strands woven or twisted together. | |||
Braided leather bracelet | Strands of leather interwoven into a cord or flat band. | Casual, masculine, or rustic styling. | Tanned leather, waxed cotton, magnetic steel clasps. | |
Brass | Alloy of copper and zinc – yellowish alloy. Gold like | |||
Brilliance | Amount and intensity of light reflected from inside a gemstone. | |||
Brilliant cut | Standard round cut with many facets to maximize sparkle. | |||
Briolette | Pear-shaped, fully faceted drop gemstone. | |||
Briolette chain | Chain with dangling briolettes | |||
Bronze | Brownish metal alloy mainly of copper and tin. | |||
Brooch | Ornamental jewelry piece with a pin and clasp for clothing. | |||
Brooch pin | Pin mechanism on brooches | |||
Brushed Finish | Surface texture of fine parallel lines creating a soft sheen. | |||
Buddha bracelet | A beaded bracelet featuring a central Buddha head or spiritual symbol. | Mindfulness, meditation aid, or spiritual protection. | Sandalwood, lava stone, jade, turquoise. | |
Buff top cabochon | Stone with a flat base and domed, un-faceted top. | |||
Buffing | Polishing with soft wheels | |||
Bulla | Hollow, often spherical pendant or amulet, historically for children. | |||
Burnisher | Tool used to smooth metal surfaces | |||
Burnishing | Compressing metal surface to shine | |||
Burnout oven | Oven used to burn out wax from molds | |||
Butterfly Back | Earring back shaped like butterfly wings | Everyday earrings. Small metal clutch securing studs | Gold, silver, steel | |
Button pearl | Slightly flattened pearl | |||
C | ||||
C catch | Simple pin catch shaped like a “C” used on older brooches. | |||
Cable bracelet | Bracelet made of twisted cable wire | |||
Cable Chain | Rope-like chain made of classic uniform oval links | |||
Cabochon | Gemstone shaped and polished with a smooth, rounded top and flat back. | |||
CAD | Computer-aided design used to model jewelry digitally. | |||
Calibrated stones | Stones cut to standard sizes | |||
Calibre Cut | Small stones cut to fit closely into a specific design or pattern. | |||
Caliper | Measuring tool to determine dimensions of stones and jewelry. | |||
Cameo | Raised relief carving where the design is above the background. | |||
Cameo brooch | Brooch featuring a cameo | |||
Cameo Habille | Cameo where the carved figure is adorned with real jewelry inset. | |||
Canary Diamond | Informal term for a vividly yellow diamond. | |||
Cannetille | Delicate wirework with spirals and coils resembling embroidery. | |||
Cap | Metal cover placed over beads or pearls | |||
Cap setting | Setting that caps the top of a stone | |||
Carat (ct) | Gem weight unit (0.2 g per ct). Unit of gemstone weight | Determines gemstone size and price, not purity. | Used for diamonds and precious gems. | |
Carbide | Very hard compound of carbon with a metal (often tungsten or silicon). | |||
Carbon-Fiber | Strong, lightweight composite of carbon fibers in resin. | |||
Carbuncle | Old term for a cabochon-cut red gemstone, usually garnet. | |||
Carmen Lucia Ruby | Famous large Burmese ruby housed at the Smithsonian. | |||
Carnelian | Reddish-brown to orange variety of chalcedony. | |||
Cartouche | Oval or oblong frame around an inscription or monogram. | |||
Carving | Cutting decorative designs into material | |||
Carving bur | Bur used for carving metal or wax | |||
Casting | Molding process of pouring molten metal into a mold to form a piece. | |||
Casting grain | Small metal pellets melted for casting | |||
Casting sprue | Channel through which metal flows into mold | |||
Casting tree | Arrangement of wax models for casting | |||
Catalin | Trade name for a type of cast phenolic plastic similar to Bakelite. | |||
Cathedral Setting | Ring setting with arches of metal rising up to support the center stone. | |||
Celluloid | Early semi-synthetic plastic used in older costume jewelry. | |||
Celtic | Style featuring knotwork and interlaced patterns from Celtic art. | |||
Center Stone | Primary, focal gemstone in a piece of jewelry. | |||
Chain extender | Additional chain length | |||
Chain nose pliers | Pliers with tapered jaws | |||
Chalcedony | Microcrystalline quartz family with waxy luster. | |||
Champlevé | Enamel technique filling recessed cells carved into metal. | |||
Chandelier Earrings | Multi‑tiered decorative earrings | Formal events | Metal, crystals | |
Channel | Long groove or track in metal, often used to hold stones. | |||
Channel Setting | Setting where stones sit in a groove between two parallel metal walls. | |||
Channel wire | Wire shaped for channel settings | |||
Charm | Small ornament hung from a bracelet, necklace, or chain. | |||
Charm bracelet | A bracelet used to carry personal "charms" or pendants. | Tracking life milestones or personal interests. | Sterling silver, 14k gold, stainless steel. | |
Charm holder | Component that holds multiple charms | |||
Charms | Small decorative pendants | |||
Chasing | Technique of detailing metal surface by hammering from the front. | |||
Chasing hammer | Hammer with rounded face | |||
Chatelaine | Decorative hook or clasp worn at the waist holding chains with useful items. | |||
Chaton Cut | Old-style round cut with a high crown and small table. | |||
Chevron pattern | V‑shaped decorative pattern | |||
Chisel | Tool with sharp edge for cutting | |||
Choker | Short necklace worn close to neck | |||
Choker (35–40 cm) | Fits tightly around the neck | Trendy looks | Metal, leather | |
Chrome | Hard, shiny, bluish-white metal element often used as plating. | |||
Chrysoberyl | Hard, durable gemstone species including alexandrite and cat’s-eye. | |||
Citrine | Yellow to orange variety of quartz. | |||
Citrine quartz | Yellow quartz variety | |||
Clarity | Degree to which a gemstone is free of internal and external flaws. | |||
Clasp | A fastening mechanism for jewelry | |||
Classic | Timeless, traditional style that does not follow short-term trends. | |||
Claw prong | Sharp prong style | |||
Claw setting | Setting with pointed prongs | |||
Climber Earrings | Earrings that “climb” up the ear | Trendy looks | Metal, stones | |
Clip‑on earring | Earring that clips to ear without piercing | For non‑pierced ears, Fashion earrings | ||
Cloisonné | Enamel technique using thin metal wires to form cells filled with enamel. | |||
Cloud | Group of tiny inclusions that create a hazy area inside a gemstone. | |||
Cluster | Group of smaller stones set close together, often around a center stone. | |||
Cluster setting | Multiple stones grouped together | |||
Cocktail Ring | Large decorative ring | Evening events | Stones, metal | |
Coin bezel | Bezel designed to hold coins | |||
Collar (30–35 cm) | Sits high on the neck | Elegant styling | Metal, pearls | |
Collar necklace | Rigid necklace worn high on neck | |||
Collet | Early style of bezel-like setting that encircles a stone entirely. | |||
Collier | General term (French) for a necklace, often close-fitting styles. | |||
Color | Hue, tone, and saturation of a gemstone or metal. | |||
Color Diamond | Diamond with noticeable body color (yellow, pink, blue, etc.). | |||
Color grading | Evaluating gemstone color | |||
Color‑change stone | Stone that changes color under light | |||
Colorful Mediterranean jewelry | Vibrant jewelry inspired by the sea and coastal landscapes. | Summer fashion; bright, cheerful aesthetic. | Coral, turquoise, ceramic beads, gold. | |
Comfort back | Earring back designed for comfort | |||
Comfort Fit | Ring interior shaped with slightly rounded edges for easier wear. | |||
Compass ring | Ring with compass‑style design | |||
Compass setting | Four prongs positioned at cardinal points | |||
Composite stone | Stone made of multiple materials | |||
Concho | Decorative metal disk | |||
Concho belt | A belt decorated with large metal disks | |||
Concho link | Link shaped like a concho | |||
Conical bur | A cone‑shaped cutting tool | |||
Contemporary | Modern style reflecting current design trends. | |||
Contrasting Finish | Use of different surface textures on the same piece. | |||
Copper | Reddish-orange base metal, highly conductive and malleable. | |||
Copperplate engraving | Fine line engraving technique | |||
Coral | Organic material from marine coral skeletons used as a gem. | |||
Core | The inner structure of a cast piece | |||
Corrugated metal | Metal with ridged texture | |||
Corundum | Mineral species of ruby and sapphire, very hard and durable. | |||
Counter enamel | Enamel applied to the back of a piece | |||
Creole earrings | Hoop-style earrings, often thickened or tapered at the bottom. | |||
Crest | Heraldic emblem or family symbol, often engraved. | |||
Crimp bead | Small bead used to secure stringing wire | |||
Crimping pliers | Tool used to flatten crimp beads | |||
Criss-Cross | Design where bands or elements cross over one another. | |||
Cross | Symbol in the shape of intersecting bars, often Christian. | |||
Cross bracelet | A bracelet featuring a horizontal or vertical Christian cross. | Religious devotion or fashion statement. | Gold, silver, leather, wood. | |
Cross facet | Facet arranged diagonally across another facet or axis. | |||
Cross‑locking tweezers | Tweezers that hold objects automatically | |||
Crown | The upper portion of a gemstone | |||
Crown height | Vertical measurement of a gemstone crown | |||
Crown prong | Prong shaped like a crown | |||
Crystal | A transparent quartz or synthetic glass-like material. | |||
Crystal quartz | Clear quartz gemstone | |||
Cubic Zirconium | A synthetic gemstone that imitates diamond. | Gemstones | ||
Cuff Bracelet | A cuff bracelet is a wide, usually rigid piece of arm jewelry | Leather cuff bracelet, Silver cuff bracelet, arm cuff | ||
Cuff Link | A decorative fastener for shirt cuffs. | Men’s jewelry | ||
Cullinan Diamond | The largest gem-quality rough diamond ever discovered. | Gemstones | ||
Cultured pearl | Pearl grown with human assistance | |||
Cultured Pearl | A pearl grown with human intervention by inserting an irritant into a mollusk. | |||
Cup bur | Rounded bur used to smooth wire ends | |||
Curb Chain | Flattened twisted links | Men’s jewelry, | Gold, steel | |
Curb chain bracelet | A chain with circular or oval links that have been twisted and flattened. | Classic, durable jewelry style for both men and women. | Gold, silver, stainless steel. | |
Cushion band | Ring band with soft square profile | |||
Cushion Cut | A gemstone cut with rounded corners and large facets. | |||
Custom | Jewelry made to order based on client specifications. | On demand | ||
Custom Cut Gemstone | A gemstone cut into a unique or non-standard shape. | Gemstones | ||
Cut | The shape and facet arrangement of a gemstone. | Gemstones | ||
Cut grade | Evaluation of gemstone cut quality | |||
Cut Steel | Steel studs cut and polished to sparkle like gemstones. | Gemstones | ||
Cute | A style descriptor meaning small, charming, or delicate. | Nice, beautiful | ||
Cuticle nipper | Tool for trimming thread ends | |||
Cutting broach | Tapered tool for enlarging holes | |||
Cylinder bur | Cylindrical cutting tool | |||
D | ||||
Dainty | A style meaning small, delicate, and lightweight. | Minimalist | ||
Damascene | Metalwork with gold or silver inlaid into dark metal. | Fabrication, gold, silver | ||
Damascus Steel | Layered steel with distinctive wavy patterns. | Fabrication | ||
Dangle Earrings | Long earrings that hangs freely | |||
Danglers | Earrings that hang below the earlobe and swing. | Style | ||
Dangling charm bracelet | A chain bracelet with various small decorative trinkets hanging from it. | Collecting memories, storytelling, or personal expression. | Sterling silver, gold, glass beads, enamel. | |
Dapping block | Block with hemispherical depressions | |||
Dapping punch | Rounded punch used with dapping block | |||
Deburring | Removing sharp edges from metal | |||
Deco setting | Art Deco‑inspired geometric setting | |||
Decorative gallery | Ornamental metalwork under a stone | |||
Demi-parure | A matching set of two or three jewelry pieces. | Jewelry Set | ||
Depletion gilding | Removing copper from gold surface | |||
Depose | A French mark indicating a patented or registered design. | Certification | ||
Depth | The height of a gemstone from table to culet. | Gemstone size | ||
Depth Percentage | Ratio of a gemstone’s depth to its diameter. | Evaluation Gemstone quality | ||
Diadems | A crown-like headpiece worn as adornment. | |||
Diamond | A precious gemstone composed of crystallized carbon. | |||
Diamond tester | Tool for identifying diamonds | |||
Die striking | Pressing metal into dies | |||
Diffusion treatment | Heat treatment adding color to gems | |||
Dividers | Compass‑like tool for marking | |||
Dog Collar | A wide, close-fitting necklace worn high on the neck. | |||
Dog tag | Flat identification pendant | |||
Dome | A rounded, convex jewelry shape. | |||
Dome ring | Ring with domed top | |||
Double bail | Bail with two loops | |||
Double link chain | Chain with doubled links | |||
Double Prong | A setting style using two prongs per corner or point. | |||
Doublet | Gemstone composed of two layers | |||
Drawplate | Plate with holes for reducing wire size | |||
Dresden Green Diamond | A famous natural green diamond of historic importance. | |||
Drop | A jewelry element that hangs downward, often teardrop-shaped. | |||
Drop Earrings | Earrings that hang below the earlobe | Gold, Silver, Metal, gemstones | ||
Drop pendant | Pendant with drop shape | |||
Ductility | Ability of metal to stretch without breaking | |||
Duette | A brooch that separates into two matching clips. | |||
Dulling | Reducing shine intentionally | |||
Dust collection system | System that collects metal dust | |||
E | ||||
Ear clutch | Small metal earring back | |||
Ear Cuffs | Wrap around the ear without piercing | Fashion styling | Metal | |
Ear jacket | Earring with decorative back piece | |||
Ear nut | Another term for earring back | |||
Ear wire | Curved wire for dangling earrings | |||
Earrings | Jewelry worn on the earlobes. | |||
East-West | A gemstone orientation set horizontally instead of vertically. | |||
Eco-friendly | Jewelry made with sustainable or ethical practices. | |||
Edwardian | Jewelry style from 1901–1910 featuring lace-like designs. | |||
Electro-plating | A process that coats metal with a thin layer of another metal. | |||
Electro‑etching | Etching metal using electricity | |||
Electroforming | Building metal layers via electrolysis | |||
Electroplating | Applying a metal coating using electricity | |||
Elegant | A descriptor for refined, sophisticated jewelry. | |||
Emerald Cut | A rectangular step-cut gemstone with cropped corners. | | ||
Enamel | Colored glass fused to metal | |||
Engraving | Decorative designs carved or etched into metal. | |||
Enhancer | A pendant or clip that attaches to a necklace to modify its look. | |||
Estate Jewelry | Pre-owned jewelry, often vintage or antique. | |||
Etching | Chemical removal of metal by using acid or tools to cut into metal. | | ||
Eternity Band | A ring with gemstones set all the way around. | |||
Eternity necklace | Necklace with stones all around | |||
Etui | A small ornamental case for holding personal items. | |||
Euro-shank | A ring shank with a squared bottom. | |||
European Cut | An early round diamond cut with a small table and large culet. | |||
Extension chain | Extra chain length | |||
Extinction | Dark areas in a gemstone caused by poor light return. | |||
Eye-clean | A gemstone with no visible inclusions to the naked eye. | |||
Eyelet | Small metal ring | |||
F | ||||
Facet | A flat polished surface on a gemstone. | |||
Faceting machine | Machine for cutting gemstone facets | |||
Faience | Glazed ceramic material used in ancient jewelry. | |||
Fancy Cut | Any gemstone cut that is not round. | |||
Fashion Ring | A ring worn for style rather than symbolism. | |||
Faux | An imitation material designed to look like something else. | |||
Feather | A type of internal inclusion resembling a crack. | |||
Feather inclusion | Internal fracture in gemstone | |||
Feathering | Fine cracks in gemstones | |||
Fed Ring (Feed Ring) | Ring style with a continuous, smooth band, featuring two right hands together | Symbolizing friendship, love, trust, or engagement | Ancient, sentimental ring design | |
Figaro Chain | Pattern of long + short links | Fashion chains | Gold, silver | |
Filigree | Delicate wirework patterns | |||
Filigree band | Ring with filigree patterns | |||
Findings | Small components used in jewelry assembly | |||
Fire | Colored flashes of light in gemstones | |||
Fire opal | Bright orange opal | |||
Fire scale | Oxidation layer on silver after heating | |||
Fishhook clasp | Hook‑shaped clasp | |||
Florentine | A textured metal surface created with cross-hatched engraved lines. | |||
Fluorescence | The visible glow some gemstones emit under UV light. | |||
Flush Setting | A setting where the stone sits level with the metal surface. | |||
Flux | A chemical used during soldering to prevent oxidation. | |||
Flux brush | Brush used to apply flux | |||
Fob | A decorative ornament attached to a chain, often for watches. | |||
Foil | A reflective backing placed behind gemstones. | |||
Foil backing | Reflective layer behind stones | |||
Forging | Shaping metal with hammering | |||
Fracture | A break or crack inside a gemstone. | |||
French Cut | A square or rectangular gemstone cut with a cross-shaped crown. | |||
French Hook | Curved wire hook | Dangle earrings | Metal | |
French Ivory | A synthetic imitation of ivory. | |||
French Jet | Black glass used to imitate jet. | |||
French Wire | A coiled wire used to protect thread in pearl stringing. | |||
Freshwater Pearls | Pearls grown in freshwater mussels. | |||
Friction back | Standard push‑on earring back | |||
Full Lead Crystal | Glass containing lead oxide for extra brilliance. | |||
Full-cut Brilliant | A gemstone cut with 57–58 facets for maximum brilliance. | |||
G | ||||
Gallery | Decorative openwork beneath a gemstone | |||
Garnet | A group of gemstones available in many colors. | |||
Gauge | Measurement of metal thickness or wire diameter | |||
Gem scoop | Small shovel‑like tool | |||
Gem tweezers | Tweezers with grooved tips | |||
Gemologist | A trained specialist in gemstone identification and grading. | |||
Gemology | The scientific study of gemstones. | |||
Gemstone | Mineral or organic material used in jewelry | |||
Gemstone beaded bracelet | A strand of polished natural stone beads. | Color coordination or crystal healing properties. | Amethyst, rose quartz, lapis lazuli. | |
Gemstone Certificate | A document verifying gemstone characteristics. | |||
Gemstones | Minerals or materials cut and polished for jewelry. | |||
German silver | Nickel alloy resembling silver | |||
Gettos (Gertos) | A term sometimes used for antique beadwork or ornaments. | |||
Gilding | Applying a thin layer of gold to a surface. | | ||
Gilt | Metal covered with a thin layer of gold. | |||
Gimmel Ring | A ring made of interlocking bands that fit together. | |||
Girandole | A jewelry design with three dangling drops. | |||
Girdle | The widest part of a gemstone | |||
Glam Style | Sparkling, luxurious | Evening wear | Crystals, stones | |
Gold | Precious yellow metal. | Alloyed in different karats to alter hardness and color. | Used in all categories till fine jewelry | |
Gold filled | Thick gold layer bonded to base metal | |||
Gold leaf | Extremely thin sheet of gold | |||
Gold plating | Thin gold coating applied electrically | |||
Gold Washed | A very thin layer of gold applied to metal. | |||
Gold-Filled | A thick layer of gold mechanically bonded to base metal. | |||
Gold-Plated | Base coated with a thin layer of gold applied via electroplating. | Good plating: 2–3 microns (for durability). | ||
Golden Jubilee Diamond | The largest faceted diamond in the world at 545.67 carats. | |||
Goldsmith | Artisan who works with gold | |||
Grading | The process of evaluating a gemstone’s quality based on set criteria. | |||
Graduated necklace | Necklace with beads increasing in size | |||
Granulation | A decorative technique using tiny metal beads fused to a surface. | |||
Graver Tool | A small cutting tool used by engravers and jewelers. | |||
Green Gold | Gold alloy mixed with silver to create a greenish hue. | |||
Grey Gold | Gold alloy with a subtle grey tone created by adding palladium or iron. | |||
Grid setting | Setting with stones arranged in a grid | |||
Grill | Decorative dental jewelry worn over teeth. | |||
Grisaille | Enamel technique using shades of grey to create images. | |||
Guilloché | Engine‑turned engraved pattern | |||
Guilloche Enamel | Enamel applied over engraved metal patterns. | |||
Gypsy Setting | A setting where the stone is flush with the metal surface. | |||
H | ||||
Half Moon Cut | A gemstone cut shaped like a half circle. | |||
Half‑bezel | Bezel that partially surrounds stone | |||
Half‑round wire | Wire with flat bottom and rounded top | |||
Hallmark | A stamped mark indicating metal purity or maker. | |||
Halo | A ring of small stones surrounding a center stone. | |||
Hammered Finish | A textured surface created by hammering metal. | |||
Hand Engraving | Designs carved into metal by hand. | |||
Handchain bracelet | A piece connecting a bracelet to a ring via a chain over the back of the hand. | Exotic, bohemian, or bridal adornment. | Fine gold/silver chains, small gemstones. | |
Hard solder | High‑temperature solder | |||
Hardness | A material’s resistance to scratching. | |||
Head | The part of a ring that holds the gemstone. | |||
Heart Cut | A heart-shaped gemstone cut. | |||
Heat treating | Heating gemstones to improve color | |||
Heirloom | Jewelry passed down through generations. | |||
Helix earring | Earring worn in upper ear cartilage | |||
Hematite | A metallic grey iron oxide gemstone. | |||
High polish | Mirror‑like reflective finish | |||
Hinged bail | Bail with a hinge for easy attachment | |||
Hinged hoop | Earring with a hinge mechanism | |||
Hippie Chic | 60s/70s inspired, colorful | Festival fashion | Beads, leather | |
Hoop | A circular earring design that loops through the ear. | |||
Hoop Earrings | Circular earrings of various sizes | Casual & statement looks | Gold, silver, steel | |
Hope Diamond | A famous deep-blue diamond known for its size and history. | |||
Horn | Material derived from animal horn used in decorative jewelry. | |||
Huggie Earrings | Small hoops that “hug” the earlobe | Minimalist style | Gold, silver | |
Hypoallergenic | Non-reactive to skin. | Refers to nickel-free metals like platinum or high-purity gold. | Ideal for sensitive-skin wearers. | |
Hypoallergenic metal | Metal less likely to cause allergies | |||
I | ||||
Idar‑Oberstein cut | Traditional German gemstone cut | |||
Igneous | Rock formed from cooled magma or lava. | |||
Illusion setting | Setting that makes stones appear larger | |||
Imperfection | Any flaw or irregularity in a gemstone or metal. | |||
Inclusions | Internal features or flaw in gemstones | |||
Indian clasp | Hook‑and‑eye clasp style | |||
Ingot | A block of metal cast into a shape for storage or processing. | |||
Initials | Letters engraved or added to jewelry for personalization. | |||
Inlaid | Decorative technique where material is set into a recessed area. | |||
Inlay | Detail set into a recessed area. Decorative material inserted into a surface. | |||
Intaglio | A design carved into a gemstone or metal surface. | |||
Interlocking | Jewelry pieces designed to fit or link together. | |||
Interlocking rings | Rings that fit together | |||
Intertwined | Two or more elements twisted or woven together. | |||
Invisible setting | Stones set without visible metal | |||
Ion plating | Durable metal coating process | |||
Iridescence | Rainbow‑like surface effect | |||
Iridescent | Showing shifting colors when viewed from different angles. | |||
Iridium | A rare metal often alloyed with platinum. | |||
Irradiation | A treatment used to enhance gemstone color. | |||
Italian chain | High‑quality chain style | |||
Ivory | Hard, white material from tusks or teeth. | |||
J | ||||
Jabot Pin | A decorative pin with two ornamental ends and a hidden center. | |||
Jacket Earrings | Back piece adds decoration behind the lobe | Modern style | Metal, stones | |
Jade | Green ornamental stone | Gemstone | ||
Jade | A durable green gemstone valued for carving and jewelry. | |||
Jadeite | One of the two minerals known as jade, prized for vivid colors. | |||
Jasper | An opaque variety of chalcedony available in many colors and patterns. | |||
Jet | A lightweight black fossilized wood used as a gemstone. | |||
Jump Ring | A small metal ring used to connect jewelry components. | |||
K | ||||
Karat | A measure of gold purity out of 24 parts. | |||
Karat - 10 Karat | Gold alloy that is 10 parts gold out of 24 (about 41.7% pure). | |||
Karat - 14 Karat | Gold alloy that is 14 parts gold out of 24 (about 58.5% pure). | Durable and affordable with a paler yellow tone. | Everyday fine jewelry, engagement bands. | |
Karat - 18 Karat | Gold alloy that is 18 parts gold out of 24 (about 75% pure). | Strong and brightly colored; ideal for fine jewelry. | Luxury rings, bracelets, designer watches. | |
Karat - 24 Karat | Pure gold (24 parts out of 24, about 99.9% pure). | Soft and rich yellow, used rarely for daily jewelry. | Investment, collectible coins, high-luxury pieces. | |
Karat (K) | Measures gold purity. Defines gold fineness (10K, 14K, 18K, 22K, 24K) | 24K is pure gold; lower karats mix gold with metals like copper or silver. | Used to indicate gold quality and color variations. | |
Karat gold | Gold alloy measured in karats | |||
Keystone | Gemstone placed at center of design | |||
Kidney wire | Earring wire shaped like a kidney | |||
Kiln | High‑temperature oven | |||
Knife Edge | A ring band with a sharp, raised central ridge. | |||
Knife‑edge band | Ring band with sharp ridge | |||
Knot | A flaw or inclusion in pearls OR a decorative tying technique. | |||
Knotting | Tying knots between pearls | |||
L | ||||
Lab Diamond | A diamond created in a laboratory with identical properties to natural diamonds. | |||
Lab Gemstone | A gemstone grown in a controlled environment. | |||
Lapidary | The art of cutting, polishing, and shaping gemstones. | |||
Lapis lazuli | Deep blue gemstone | |||
Lariat | Long necklace without clasp | Versatile styling | Chains | |
Laser Drilling | A treatment that uses lasers to remove inclusions from diamonds. | |||
Laser engraving | Precision engraving using laser | |||
Laser welding | Joining metal using laser heat | |||
Latch Back | Hinged closure for hoops | Hoops | Gold, silver | |
Lavalier | Pendant with dangling element | |||
Lavaliere | A pendant suspended from a chain, often with a drop element. | |||
Layering Jewelry | Wearing multiple necklaces of different lengths. | Depth and verticality in styling. | Delicate chains, various pendants. | |
Leakage | Light escaping through the bottom of a gemstone due to poor cut. | |||
Lever Back | A secure earring closure with a hinged lever. | |||
Leverback | Hinged closure for secure fit | Fine earrings | Gold, silver | |
Liquid Silver | Thin silver tubes strung together to create a fluid look. | |||
Living Jewelry | Jewelry incorporating living plants or organisms. | |||
Locket | A pendant that opens to hold photos or keepsakes. | |||
Logan Sapphire | A famous 422.99‑carat blue sapphire. | |||
London Blue Topaz | A deep, smoky blue variety of treated topaz. | |||
Lost Wax Process or Casting | A method of casting metal using a wax model. | |||
Lost‑wax casting | Technique where wax model is melted out of mold | |||
Loupe | A small magnifying device used to inspect gemstones and metalwork. | |||
Loupe gauge | Tool combining a loupe with measurement scale | |||
Low dome band | Ring with slightly rounded profile | |||
Low-Profile | A jewelry design where the setting sits close to the finger. | |||
Low‑karat gold | Gold alloy with lower purity | |||
Lucite | A clear or colored acrylic plastic used in fashion jewelry. | |||
Luster | The way a surface reflects light, especially in pearls and metals. | |||
Luster finish | Soft reflective surface | |||
Luxury | High-end jewelry characterized by premium materials and craftsmanship. | |||
M | ||||
Mabe | A type of cultured pearl with a flat back. | |||
Malachite | Green banded gemstone | |||
Maltese Cross | A cross with four equal arms that widen at the ends. | |||
Mandrel | Tapered tool for shaping rings or bracelets | |||
Marcasite | A metallic-looking mineral often used in vintage jewelry. | |||
Marquis Cut | A gemstone cut with pointed ends and an elongated shape. | |||
Marquise Cut | Same as Marquis Cut; an elongated stone with pointed ends. | |||
Martini setting | Three‑prong setting shaped like a martini glass | |||
Master Stones | A set of reference stones used for color grading. | |||
Matching | Jewelry pieces designed to coordinate with each other. | |||
Matinee Necklace (55–65 cm) | Mid‑length necklace | Office wear | Pearls, chains | |
Matte | A non-reflective, soft surface finish on metal. | |||
Matte finish | Non‑reflective surface texture | |||
Measuring tape | Flexible measuring tool | |||
Melange | A mixture of different materials or gemstones. | |||
Melee | Very small diamonds typically under 0.2 carats. | |||
Melting dish | Heat‑resistant dish for melting metal | |||
Memento Mori | Jewelry symbolizing mortality, often with skull motifs. | |||
Memorial Jewel | Jewelry created to honor or remember someone. | |||
Memory wire | Wire that retains its shape | |||
Metal clay | Clay containing metal particles | |||
Metal fatigue | Weakening of metal from repeated stress | |||
Metal stamp | Tool used to imprint marks | |||
Metamorphic | Rock formed by heat and pressure, producing certain gemstones. | |||
Meteorite | Metal-rich material from space used in jewelry. | |||
Micro Mosaic | Tiny glass or stone pieces arranged to form images. | |||
Micro-Pavé | A setting technique using extremely small diamonds set closely together. | |||
Microns | Thickness of plating layers. | 1 micron = 0.001 mm; thicker coatings last longer. | 2–3 microns = quality plating; <0.5 microns = cheap | |
Milanese Chain | A flexible woven mesh chain with a smooth texture. | |||
Milgrain | Tiny beaded detailing along the edges of metal. | |||
Millefiori | Glasswork technique creating multicolored floral patterns. | |||
Milling machine | Machine for cutting precise shapes | |||
Minaudiere | A small decorative case used as an evening accessory. | |||
Mine Cut | An early diamond cut with a high crown and small table. | |||
Minimalist | A simple, clean jewelry style with minimal decoration. | |||
Minimalist Jewelry | Simple, clean designs | Everyday wear | Metal | |
Mirror finish | Highly reflective polish | |||
Mississippi River Pearls | Natural pearls found in freshwater mussels of the Mississippi River. | |||
Mizpah Ring | A ring engraved with “Mizpah,” symbolizing emotional bond or separation. | |||
Modern Minimalist | Clean, simple lines | Everyday elegance | Metal | |
Mohs Hardness Scale | A scale ranking minerals by scratch resistance from 1–10. | |||
Mokumé Gane | A Japanese metalworking technique creating wood‑grain patterns. | |||
Mold | Hollow form used for casting | |||
Mold release | Substance preventing sticking in molds | |||
Money Clip | A metal clip used to hold cash. | |||
Moonstone | A gemstone known for its glowing adularescence. | |||
Morganite | A pink to peach variety of beryl. | |||
Mosaic | A design created from small pieces of stone, glass, or enamel. | |||
Mother-of-pearl | The iridescent inner layer of mollusk shells. | |||
Mount | The part of jewelry that holds a gemstone. | |||
Mounting | The complete metal framework of a jewelry piece before stones are set. | |||
Mourning Jewelry | Jewelry worn to commemorate a deceased loved one. | |||
Moval | A gemstone cut combining marquise and oval shapes. | |||
Multi chain jewelry | Jewelry featuring several interconnected chains. | Creating volume and complex textures. | Plated metals, stainless steel. | |
Multi-Band | A ring design featuring multiple connected or stacked bands. | |||
Multi-Strand Bracelet | A single bracelet made of several parallel rows/strands. | A full, layered look with one clasp. | Leather cords, silk, beads. | |
Multi‑strand clasp | Clasp designed for multiple strands | |||
Multi‑Strand Necklace | Several strands combined | Volume & texture | Pearls, beads | |
N | ||||
Nacre | The iridescent inner shell layer produced by mollusks. | |||
Natural Diamond | A diamond formed naturally over millions of years. | |||
Natural pearl | Pearl formed without human intervention | |||
Navette | A marquise-shaped gemstone or design element. | |||
Necklace | A jewelry piece worn around the neck. | |||
Necklace medallion pendant | A round or oval decorative piece hanging from a chain, often with engravings. | Sentimental keepsake or religious/symbolic protection. | Gold, silver, bronze, enamel. | |
Negligee | A necklace with two drops of unequal length. | |||
Nickel | Hard, shiny metal. | Common allergen, used for hardness. | Base for cheaper plated jewelry. | |
Nickel Silver | A silver-colored alloy without silver | |||
Niello | A black mixture fused into engraved metal designs. | |||
Niobium | Hypoallergenic metal | |||
Nugget | Natural or cast metal lump | |||
O | ||||
Obsidian | Volcanic glass gemstone | |||
Ocean vibe jewelry | Accessories incorporating marine elements like shells or waves. | Beachwear or relaxed, nature-inspired outfits. | Cowrie shells, sea glass, pearls, silver. | |
Oiling | Gemstone treatment using oil | |||
Old Euro Cut | An early round diamond cut with a high crown and open culet. | |||
Old European Cut | Same as Old Euro Cut; predecessor to the modern round brilliant. | |||
Old Mine Cut | A historic diamond cut with a cushion shape and large facets. | |||
Omega back | Hinged earring closure, Clip + post system | |||
Onyx | Black chalcedony gemstone | |||
Opal | A gemstone known for its play‑of‑color. | |||
Opalescent | Showing a milky, glowing appearance similar to opal. | |||
Opaque | A material that does not transmit light. | |||
Open Back Setting | A setting where the back of the stone is open to light. | |||
Open clasp bangle bracelet | Rigid bracelet that facilitate opening with a spring mechanism and clasp on the top | Fashion accessory, often worn in multiples for sound and movement. | Gold, silver, brass, wood, plastic. | |
Open silver cuff bracelet | A C-shaped silver bracelet with a gap on the inner wrist for easy wear. | Minimalist or bohemian styling; adjustable fit. | Sterling silver, 925 silver, alpaca silver. | |
Opera Necklace (70–90 cm) | Long necklace | Layering | Pearls, beads | |
Oppenheimer Diamond | A famous 253‑carat yellow diamond. | |||
Ore | Naturally occurring rock containing metal. | |||
Organic | Materials derived from living organisms. | |||
Orient | The natural luster and iridescence of a pearl. | |||
Oriental Pearl | A natural saltwater pearl formed without human intervention. | |||
Oval Cut | An elongated, rounded gemstone cut. | |||
Oxidation | A chemical reaction causing metal to darken or tarnish. | |||
Oxide | A compound formed when oxygen reacts with a metal. | |||
Oxidize | To intentionally darken metal through chemical treatment. | |||
Oxygen | A reactive gas that causes oxidation in metals. | |||
P | ||||
Padparadscha Sapphire | A rare pink‑orange sapphire. | |||
Paillons | Tiny metallic foils used under enamel for sparkle. | |||
Palladium | White precious metal, platinum family. | Fine white gold alloys, rings. | ||
Pampilles | Dangling gemstone drops used in decorative jewelry. | |||
Parure | A matching set of jewelry pieces. | |||
Passamenterie | Decorative cords or trims used in jewelry or clothing. | |||
Paste | Glass cut to imitate gemstones. | |||
Patina | A surface coloration formed naturally or artificially on metal. | |||
Pattern | A repeated decorative design. | |||
Pavé | A setting technique where small stones are set closely together. | |||
Pave‑set band | Band covered in small stones | |||
Pavilion | The lower portion of a faceted gemstone. | |||
Pear Cut | A teardrop‑shaped gemstone cut. | |||
Pearl | A lustrous organic gem formed inside mollusks. | |||
Pearl drill | Tool for drilling pearls | |||
Pearl knotter | Tool for tying knots between pearls | |||
Pearl reamer | Tool for enlarging pearl holes | |||
Pearl strand | Necklace made of pearls | |||
Peek-a-boo Diamond | A hidden diamond placed discreetly in a jewelry design. | |||
Peg setting | Setting with a peg for mounting | |||
Pendaloque | A pear-shaped gemstone or pendant with an additional small stone above it. | |||
Pendant | A decorative ornament that hangs from a chain. | |||
Pendant Necklace | Chain with a central pendant | Everyday wear | Metal | |
Peridot | A bright Green gemstone | |||
Petite | A small, delicate jewelry style or size. | |||
Pewter | A soft, silver-gray metal alloy. | |||
Pickle solution | Acid bath for cleaning metal | |||
Piercing saw | Fine saw used for cutting metal | |||
Pietra Dura | A technique using inlaid hard stones to create images. | |||
Pinch bail | Bail that pinches into a pendant | |||
Pinchbeck | A gold-colored alloy used historically as a substitute for gold. | |||
Pinpoint inclusion | Tiny crystal inside gemstone | |||
Pipe shank | Thick, hollow ring shank | |||
Pique | A technique where gold or silver is inlaid into tortoiseshell or horn. | |||
Pit | A small surface cavity or flaw in a gemstone or metal. | |||
Pitch bowl | Bowl filled with pitch for chasing | |||
Planishing | Smoothing metal with repeated hammer blows. | |||
Plating | Thin metal coating applied to jewelry | |||
Platinum | A dense, durable, naturally white precious metal. | |||
Plique-a-jour | A translucent enamel technique resembling stained glass. | |||
Plot | A diagram showing a gemstone’s inclusions and characteristics. | |||
Plumb gold | Gold alloy meeting exact karat | |||
Point | A unit of weight equal to 1/100 of a carat. | |||
Polished | A smooth, reflective finish on metal or gemstones. | |||
Polishing cloth | Soft cloth for cleaning jewelry | |||
Polishing compound | Abrasive paste for polishing | |||
Polishing lathe | Motorized polishing machine | |||
Pomander | A perforated container for holding scented materials. | |||
Popigai Crater | A Russian impact site known for producing impact diamonds. | |||
Porosity | Tiny holes in cast metal | |||
Poseidon | A trade name sometimes used for treated blue diamonds. | |||
Post | Straight metal rod on earrings | |||
Posy Ring | A ring engraved with a short poem or sentiment. | |||
Pot Metal | A low-cost alloy with no precious metals, often used in costume jewelry. | |||
Precious Gemstone | A gemstone traditionally considered rare and valuable. | |||
Precious Metal | A rare, high‑value metal used in fine jewelry. | |||
Precious Metals / Jewelry | Rare and high-value metals like gold, silver, platinum, palladium. | Do not tarnish or corrode easily and are often hypoallergenic. | Primary base for fine and high-end jewelry. | |
Princess Cut | A square or rectangular brilliant-cut gemstone. | |||
Princess Necklace (45–50 cm) | Standard necklace length | Pendants | Gold, silver | |
Prong | Metal claw that holds a gemstone | |||
Prong pusher | Tool for tightening prongs | |||
Prong Setting | A setting using metal claws to hold a gemstone. | |||
Proportion | The relationship between a gemstone’s facets and dimensions. | |||
Punch | Tool used to create shapes or marks | |||
Q | ||||
Quartz | A common mineral available in many colors and varieties. | |||
Quartz druse | Surface covered with tiny quartz crystals | |||
R | ||||
Radiant Cut | A square or rectangular cut with brilliant-style facets. | |||
Rails | Metal bars used to secure channel-set stones. | |||
Rainbow finish | Iridescent surface treatment | |||
Raw casting | Unfinished cast metal piece | |||
Re‑tipping | Adding metal to worn prongs | |||
Red gold | Gold alloy with copper | |||
Reducing die | Tool for reducing wire diameter | |||
Refinishing | Restoring the surface of jewelry to its original appearance. | |||
Refraction | The bending of light as it passes through a gemstone. | |||
Refractive index | Measure of how light bends in a gemstone | |||
Regard | A Victorian acrostic jewelry style using stones whose initials spell “REGARD.” | |||
Relief | A raised or recessed design carved into metal or stone. | |||
Repousse | A technique where metal is shaped by hammering from the reverse side. | |||
Restoration | Repairing or rebuilding antique jewelry to original condition. | |||
Rhinestone | A glass or crystal imitation gemstone. | |||
Rhodium | A rare white metal used for plating. | |||
Rhodium plating | Bright white metal coating | |||
Rhodolite | A pink to purplish-red variety of garnet. | |||
Ring | A circular band worn on the finger. | |||
Ring clamp | Tool for holding rings securely | |||
Ring mandrel | Tapered rod for sizing rings | |||
Ring sizer | Set of rings for measuring finger size | |||
Ring Sizes | Standardized measurements for ring circumference or diameter. | |||
Riveting | A technique using small metal pins to join components without solder. | |||
Riviere | A necklace made of a continuous line of gemstones. | |||
Rock Crystal | A clear, colorless variety of quartz. | |||
Rolled Gold | A thin sheet of gold mechanically bonded to base metal. | |||
Roller mill | Machine that flattens or shapes metal | |||
Rolo Chain | Round uniform links | Pendants | Gold, silver | |
Rondelle | A small, round spacer bead used between larger beads. | |||
Rope Chain | Twisted rope‑like links | Statement chains | Gold, silver | |
Rope Necklace (90+ cm) | Extra‑long necklace | Statement looks | Pearls, chains | |
Rosary | A beaded devotional necklace used in prayer. | |||
Rose Cut | A flat-bottomed gemstone cut with triangular facets on top. | |||
Rose Finish | A warm, pinkish metal finish resembling rose gold. | |||
Rose Gold | A gold alloy mixed with copper to create a pink hue. | |||
Rose Quartz | A soft pink variety of quartz. | |||
Rosser Reeves Ruby | A famous 138-carat star ruby known for its strong asterism. | |||
Rough gemstone | Uncut, natural gemstone | |||
Round Cut | A circular brilliant-cut gemstone with 57–58 facets. | |||
Rubber mold | Mold made of rubber for casting | |||
Rubellite | A red to pink variety of tourmaline. | |||
Ruby | A red variety of corundum, one of the four precious gemstones. | |||
Rutilated | A gemstone containing needle-like rutile inclusions. | |||
S | ||||
Safety Catch | A locking mechanism on brooches to prevent accidental opening. | |||
Safety chain | Chain attached to clasp for security | |||
Safety clasp | Clasp with extra locking mechanism | |||
Salt-and-Pepper Diamond | A diamond with visible black and white inclusions. | |||
Sand Casting | A casting method using special sand molds. | |||
Sandblasted | A matte, grainy surface created by blasting metal with sand. | |||
Sapphire | A gemstone of the corundum family, available in many colors. | |||
Sardonic | A term sometimes used to describe sardonyx with darker, dramatic banding. | |||
Satin Finish | Soft, brushed surface, matte finish with fine texture. | |||
Sautoir | A long necklace often ending in a tassel or pendant. | |||
Saw blade | Thin blade for cutting metal | |||
Scalloped setting | Setting with decorative scalloped edges | |||
Scarab | A beetle-shaped motif symbolizing rebirth in ancient Egypt. | |||
Scatter Pin | A small decorative pin worn in multiples. | |||
Scepter | A ceremonial staff often decorated with jewels. | |||
Scoop necklace | Necklace with curved, scooped shape | |||
Screw | A threaded fastener OR screw‑back earring closure. | |||
Screw back | Earring back that screws onto post | |||
Screw clasp | Clasp that screws together | |||
Scribing | Marking metal with a sharp tool | |||
Seal | An engraved stamp used to imprint a design in wax. | |||
Sedimentary | Rock formed by layers of sediment. | |||
Seed Bead | A very small bead used in intricate beadwork. | |||
Seed Pearl | A tiny natural pearl used in delicate designs. | |||
Semi-Precious Gemstone | A gemstone considered less rare than precious stones. | |||
Semi-Precious Stones | Same as semi‑precious gemstones; non‑precious but valued stones. | |||
Semi‑mount | Ring setting sold without center stone | |||
Semi‑precious stone | Gemstones not classified as precious | |||
Setting | The metal structure that holds a gemstone in place. | |||
Setting bur | Bur used to cut seats for stones | |||
Sevigne | A brooch or pendant with ribbon‑like design elements. | |||
Shagreen | A textured material made from shark or ray skin. | |||
Shamrock | A three‑leaf clover motif symbolizing luck. | |||
Shank | The band portion of a ring. | |||
Shank guard | Insert to reduce ring size | |||
Shared Prong | A setting where prongs hold two adjacent stones. | |||
Shell cameo | Cameo carved from shell | |||
Shield | A gemstone cut or motif shaped like a shield. | |||
Shoulder | The upper sides of a ring shank near the center setting. | |||
Shrinkage | Reduction in size during casting | |||
Side stones | Smaller stones flanking center stone | |||
Signet | A ring featuring an engraved emblem or initials. | |||
Signet ring | Ring with engraved emblem | |||
Silicone wheel | Flexible abrasive wheel | |||
Silver | Shiny white precious metal. | Softer and tarnishes with air exposure. | Refined jewelry, artisan pieces. | |
Silver 999 | 99.9% pure silver. | Very soft, premium grade. | High-end collectibles, specialty jewelry. | |
Silver clay | Clay containing silver particles | |||
Silver plating | Thin silver coating | |||
Silver Tone | A metal with a silver-colored appearance but not actual silver. | |||
Silver-Plated | Base metal with silver coating. | Layer thickness affects durability. | Good plating: at least 2–3 microns. | |
Simulated Stones | Man‑made materials designed to imitate real gemstones. | |||
Single cut | Gemstone with fewer facets | |||
Single-cut Diamonds | Diamonds with 17–18 facets, simpler than full-cut stones. | |||
Sizing bar | Plain section of ring shank | |||
Sizing beads | Small beads added inside ring | |||
Sizing stock | Metal used for resizing rings | |||
Skeletonized design | Jewelry with cut‑out patterns | |||
Skull bracelet | A bracelet featuring skull motifs or beads. | Symbol of "memento mori," rebellion, or rock fashion. | Silver, steel, bone, onyx. | |
Slide | A decorative element that slides onto a chain or bracelet. | |||
Slide pendant | Pendant that slides freely on chain | |||
Slip joint | Joint allowing movement | |||
Smoky Quartz | A brown to gray variety of quartz. | |||
Smoky Topaz | A misnomer for smoky quartz; not actually topaz. | |||
Snake Chain | A flexible chain with tightly linked, smooth metal plates. | |||
Snap‑lock clasp | Clasp that locks with a snap | |||
Solder | A metal alloy used to join metal pieces together. | |||
Solder pick | Tool for placing solder | |||
Soldering | The process of joining metal parts using heat and solder. | |||
Soldering block | Heat‑resistant block for soldering | |||
Soldering tweezers | Tweezers resistant to heat | |||
Solid Diamond | A term sometimes used to emphasize a natural, unenhanced diamond. | |||
Solitaire | A jewelry design featuring a single main gemstone. | |||
Spacer bead | Bead used to separate others | |||
Sparkle | The flashes of light reflected from a gemstone. | |||
Spessartite | Orange garnet variety | |||
Spinel | Durable gemstone in many colors | |||
Spirit bead bracelet | Jewelry designed with beads meant to align energy or intention. | Yoga practice, holistic healing, or grounding. | Rudraksha seeds, semi-precious stones, wood. | |
Split Prong | A prong that divides into two tips to hold a gemstone. | |||
Split Ring | A ring with overlapping ends, similar to a key ring. | |||
Split Shank | A ring shank that divides into two or more bands near the center stone. | |||
Spring Ring | A circular clasp with an internal spring mechanism. | |||
Spring ring clasp | Circular clasp with spring mechanism | |||
Square Band | A ring band with a square-shaped profile. | |||
Square Cut | A gemstone cut with straight edges and a square outline. | |||
Square shank | Ring shank with square profile | |||
Square wire | Wire with a square cross‑section | |||
Stabilized Turquoise | Turquoise treated with resin to improve durability and color. | |||
Stackable Rings | Thin rings designed to be worn together in multiples. | |||
Stacking bead bracelet | Thin bracelets designed to be worn together in a "stack." | Layering for a textured, bohemian look. | Seed beads, gemstones, elastic cord. | |
Stacking Jewelry | Multiple rings or bracelets worn on the same limb. | Personalized, maximalist fashion style. | Mixed metals, varied textures. | |
Stainless Steel | Iron alloy with chromium. A durable, corrosion‑resistant metal alloy. | Hypoallergenic. Used in modern, affordable jewelry and watches. | Modern minimalist, unisex designs. | |
Stamping | Pressing designs into metal | |||
Stamping die | Impressing a design or mark onto metal using a die. | |||
Standard shank | Traditional rounded ring shank | |||
Star 129 | A diamond cut with 129 facets for increased brilliance. | |||
Star setting | Stone set with engraved star pattern | |||
Statement Necklace | Large, bold necklace | Fashion highlight | Mixed materials | |
Station Necklace | Evenly spaced decorative elements | Layering | Metal, gems | |
Steam cleaner | Machine using steam to clean jewelry | |||
Step Cut | Gem cut with long, rectangular facets arranged like steps. | |||
Sterling silver | 92.5% silver alloy | |||
Sterling Silver | A silver alloy containing 92.5% pure silver. | |||
Sterling Silver 925 | 92.5% silver, 7.5% other metals (usually copper). | Stronger than pure silver, still high quality. | Classic fine jewelry, silverware. | |
Sterling silver chain | Chain made of 92.5% silver | |||
Stick pin | Long pin with decorative top | |||
Stomacher | A large decorative piece worn on the bodice in the 18th century. | |||
Stone gauge | Tool for measuring gemstones | |||
Stone inlay | Setting crushed or cut stones into channels | |||
Stone setting pliers | Pliers designed for tightening settings | |||
Strand | Single line of beads or pearls | |||
Strap Necklace | A necklace with a flat, ribbon‑like design. | |||
Strapwork | Decorative patterns resembling interlaced straps. | |||
Stress crack | Crack caused by pressure or heat | |||
Strip solder | Pre‑cut solder in strips | |||
Stud | A small earring with a single decorative front element. | |||
Stud earring | Earring with a single front element | |||
Stud Earrings | Small earrings sitting directly on the earlobe | Everyday wear | Gold, silver, steel | |
Suede cord | Soft leather cord | |||
Super Fit Ring | A ring with a hinged shank for easier wear on larger knuckles. | |||
Surface texture | Pattern applied to metal surface | |||
Swag | A draped or garland‑like decorative motif. | |||
Swage block | Multi‑purpose forming block | |||
Swaging | Reducing metal diameter by hammering | |||
Symmetry | The balance and alignment of a gemstone’s facets. | |||
Synthetic Gemstones | Lab‑created stones with the same properties as natural ones. | |||
T | ||||
Table | The flat top facet of a gemstone | |||
Table Percentage | The ratio of a gemstone’s table size to its overall diameter. | |||
Table-cut | One of the earliest gemstone cuts with a flat top and simple facets. | |||
Tahitian Pearl | A cultured pearl from French Polynesia, often dark in color. | |||
Tapered | Narrowing gradually toward one end. | |||
Tapered Baguette | A narrow, rectangular gemstone cut that widens at one end. | |||
Tapered shank | Ring shank that narrows toward the bottom | |||
Tarnish | A dulling or discoloration of metal due to oxidation. | |||
Tarnish remover | Chemical cleaner for silver | |||
Tattoo bracelet | A flexible, stretchy wire or plastic choker-style bracelet that sits tight against the skin. | Retro 90s aesthetic; mimics the look of a tattoo. | Plastic filament, elasticated wire, nylon. | |
Tempering | Heating metal to adjust hardness | |||
Tennis Bracelet | A flexible bracelet set with a continuous line of stones. | |||
Tension Setting | A setting where the stone is held in place by metal pressure. | |||
Terminal | The end component of a necklace, bracelet, or clasp. | |||
Textured | A surface with deliberate patterns or irregularities. | |||
Texturing hammer | Hammer with patterned face | |||
Threader Earrings | Chain‑style earrings pulled through the ear | Modern minimalist | Gold, silver | |
Three Stone | A ring featuring three main gemstones. | |||
Throat | Opening of a ring shank | |||
Tiara | A decorative crown-like headpiece. | |||
Tiffany setting | Six‑prong solitaire setting | |||
Tiger eye | A chatoyant gemstone with golden to red-brown colors. | Believed to provide focus, courage, and protection. | Natural tiger eye stone, elastic or silk thread. | |
Tiger’s eye | Brown gemstone with chatoyancy | |||
Tin | A soft, silvery metal used in low-cost alloys. | |||
Tin solder | Low‑temperature solder | |||
Titanium | A strong, lightweight, hypoallergenic metal. | |||
Toggle Clasp | Bar‑and‑ring clasp with a bar that fits through a ring to secure jewelry. | |||
Tolkowsky, Marcel | The mathematician who developed the ideal diamond cut proportions. | |||
Tongue‑and‑groove clasp | Clasp with sliding tongue mechanism | |||
Tool steel | Hard steel used for tools | |||
Topaz | A gemstone available in many colors, often treated. | |||
Torch | Flame tool for soldering | |||
Torsade | A twisted, multi-strand necklace. | |||
Tortoise Shell | A mottled brown-and-gold material historically used in jewelry. | |||
Tourmaline | A gemstone available in a wide range of colors. | |||
Trace chain | Fine chain with small oval links | |||
Tracer Band | A curved ring designed to fit around another ring. | |||
Translucent | Allowing light to pass through but not fully transparent. | |||
Trapezoid Cut | A four-sided gemstone cut with two parallel sides. | |||
Trellis | A prong setting style with interwoven metal supports. | |||
Tremblant | A jewelry piece with spring-mounted elements that move or “tremble.” | |||
Trillion Cut | A triangular gemstone cut with three equal sides. | |||
Triplet | Gemstone composed of three layers | |||
Tripoli | Abrasive polishing compound | |||
Tsavorite | A vivid green variety of garnet. | |||
Tube setting | Cylindrical setting for stones | |||
Tubing | Hollow metal tube | |||
Tubogas | A flexible, gas‑pipe style metal coil. | |||
Tungsten | A very hard, heavy, scratch‑resistant metal. | |||
Tungsten carbide | Extremely hard metal | |||
Turquoise | A blue‑green opaque gemstone. | Used in bohemian and mediterranean, summer jewelry. | ||
Tutti Frutti | A colorful jewelry style using carved gemstones. | |||
Twisted | A design featuring intertwined or spiraled metal strands. | |||
Two-Tone | Jewelry featuring two different metal colors. | |||
U | ||||
Ultrasonic | A cleaning method using high‑frequency sound waves. | |||
Ultrasonic cleaner | Machine using sound waves to clean jewelry | |||
Under‑cutting | Removing metal beneath prongs | |||
Under‑gallery | Decorative underside of a ring | |||
Unique | A one‑of‑a‑kind jewelry piece. | |||
Unisex | Jewelry designed to be worn by any gender. | |||
Universal bail | Bail that fits many chain sizes | |||
V | ||||
V‑prong | Prong shaped like a V | |||
V‑shank | Ring shank shaped like a V | |||
Vacuum casting | Casting using vacuum suction | |||
Vanadium | Element used in gemstone coloration | |||
Verdigis | Green patina on copper alloys | |||
Vermeil | Sterling silver plated with a gold layer that is at least 2.5 microns. | The gold used must be at least 10 karats. | ||
Vibratory tumbler | Machine that polishes using vibration | |||
Victorian | Jewelry from or inspired by the Victorian era (1837–1901). | |||
Victorian setting | Ornate antique‑style setting | |||
Vintage | Jewelry at least 20–30 years old or styled after older eras. | |||
Vintage Style | Inspired by past decades | Retro looks | Mixed materials | |
Vitrification | Fusing enamel into glassy surface | |||
W | ||||
Wax carving | Sculpting wax to create jewelry models | |||
Wax injector | Machine injecting wax into molds | |||
Wax pen | Heated tool for shaping wax | |||
Wax ring tube | Cylindrical wax blank for carving rings | |||
Wax sprue | Wax rod used to channel molten metal | |||
Wedding band | Ring symbolizing marriage | |||
Wedding Set | A coordinated engagement ring and wedding band. | |||
Wheat Chain | Braided links | Durable & elegant | Gold, silver | |
White Gold | Gold alloy mixed with white metals for a silvery appearance. | |||
White Metal | Any metal with a silver‑colored appearance. | |||
Wide cuff bracelet | A broad, stiff bracelet with an opening or clasp, covering a large part of the wrist. | Bold statement piece to draw attention to the wrist. | Sterling silver, leather, hammered copper, gold-plated steel. | |
Wide mesh leather bracelet | A broad band made of woven or perforated leather fibers. | Casual or "edgy" everyday wear. | Genuine cowhide, stainless steel clasps, cord. | |
Wire drawing | Reducing wire thickness by pulling through dies | |||
Wire gauge | Measurement of wire thickness | |||
Wire wrapping | Technique using wire to secure stones | |||
Wishbone ring | Ring shaped like a V | |||
Wood | Organic material used for natural or rustic jewelry. | |||
Work-hardening | Hardening metal through bending or hammering | |||
Woven | A texture created by interlacing strands of metal or material. | |||
Woven chain | Chain made by weaving links | |||
Wrist Watch | A timepiece worn on the wrist. | |||
Y | ||||
Y‑Necklace | Necklace forming a Y shape | Elegant neckline | Metal, stones | |
Yellow Gold | A traditional warm-colored gold alloy. | |||
Z | ||||
Zamak | Alloy of zinc, aluminum, magnesium, copper. | Inexpensive, smooth finish, corrosion-resistant. Can be molded. | Used in fashion jewelry and plated parts. | |
Zinc | A bluish-white metal often used in alloys. | |||
Zinc alloy | Base metal alloy used in costume jewelry | |||
Zircon | A natural gemstone known for high brilliance and fire. | Often confused with CZ. Used as an alternative to diamonds | ||
Zirconia (CZ) | Synthetic gemstone | |||
Zoisite | A mineral family that includes tanzanite and thulite. | |||
Zygomatic earring | Earring worn on upper cheek area | |||
Speak Jewelry in a Simple, Professional Way
The comprehensive reference jewelry glossary contains around 1000 jewelry termsLIVIT A–Z Jewelry Glossary The Language of Jewelry Jewelry comes with its own precise vocabulary—from gemstone cuts and metal alloys to setting styles and production techniques. Using clear and consistent terminology helps customers feel confident, understand what they are purchasing, and compare designs more easily across collections and brands. Why Consistent Terms Matter For professionals, shared language reduces confusion and strengthens trust. It also supports the creation of content that is accurate, concise, and aligned with industry standards. Hence, with this in mind, we developed the LIVIT A–Z Jewelry Glossary: a comprehensive reference featuring around 1,000 carefully selected terms, phrases, and definitions that span the full world of jewelry. A Tool for Every Level of Expertise Whether someone is discovering jewelry for the first time or refining advanced knowledge, this glossary offers a reliable guide. Help every reader to “speak jewelry” with clarity, precision, and confidence. [docxpresso file="https://www.spanish-jewelry.com/blog/wp-content/uploads/2026/02/Glossary-2.ods" comments="true"] Speak Jewelry in a Simple, Professional Way The comprehensive reference jewelry glossary contains around 1000 jewelry terms, definitions, and industry phrases. While it helps customers to understand products more clearly, it also supports teams in writing precise, consistent content. From classic gemstones and metal types to modern setting styles and production techniques, the glossary is designed to help everyone “speak jewelry” in a simple, professional way., definitions, and industry phrases. While it helps customers to understand products more clearly, it also supports teams in writing precise, consistent content.
From classic gemstones and metal types to modern setting styles and production techniques, the glossary is designed to help everyone “speak jewelry” in a simple, professional way.